Informative programme

A Life with Animals

Belgrade, Serbia

3’ 01’’, 2015


Mirjana Petrić

Contacts with animals certainly ennoble humans and contribute to their identity as human beings. Sometimes, small furry friends could suffice to make a day much more beautiful.


The Identity of An Abandoned Town

Nova Varoš, Serbia

1’18’’, 2015


Adis Gogalić

The phenomenon of young people leaving rural areas has also spread to towns in southern Serbia. This is a depiction of an abandoned town in late summer, at night and day...


Just Life

Prijepolje, Serbia

2’49’’, 2015


Stefan Konjokrad

The film deals with three men who change their identities day in, day out by changing their clothes. It also shows different scenarios as seen from each one’s perspective.



Kikinda, Serbia

2’40’’, 2015


Dijana Babić

Don’t be shy, love and respects yourself! Work on yourself, improve yourself every day! Laugh, hug, kiss and love!

You would like to go to a concert? Go. You feel like jumping? Jump. You feel like singing? Sing in full voice.

Enjoy, you have only one life!


A Tennis Player

Kikinda, Serbia

1’11’’, 2015


Saša Babić

Young athletes are certainly an important segment in the image of the nation that we are conveying to the world. Following the model of the world's number one in tennis, young tennis players tend to identify themselves with a winning spirit.


High-School Graduation Dance

Kikinda, Serbia

1’11’’, 2015


Biljana Babić

The film shows a high-school graduation ball, when youth,laughter, dance and joy become the main expression of identity and a step towards new challenges.


Street Artists

Belgrade, Serbia

2’59’’, 2015


Goran Uček

Who are the peoplewho can be seen in the streets every day? What talents and courage are required to appear before the eyes of the public and magically attract the audience? This is a film dedicated to Belgrade’s street performers who capture our attention every day.



Belgrade, Serbia

2’58’’, 2015


Bojan Popović

The plethora of phenomena that we encounter and face, and which contribute to a better understanding of what makes us who we are.


My City

Belgrade, Serbia

1’32’’, 2015


Ivan Strugarević

All cities in the world are beautiful, but only Belgrade belongs to me.


It's All Just Business

Belgrade, Serbia

58’’, 2015


Dragan Ivanović

From work to home, from home to work, but where am I in all of this!?


The Old Motherland

Toronto, Canada

2’25’’, 2015


Jakov Musafija

I was born in Yugoslavia and was forced to leave. Canada is now my home...


Preview in Google Books


Editor's Note

This year’s edition of the Festival is one of the final steps on the way to the silver jubilee – the Festival’s 25th anniversary. The uninterrupted continuity behind us and paths ahead impose a duty to persevere with programmes that are designed and conceptualized with the aim of achieving а professionally, versatilely and finely composed fusion of artistic and anthropological contents and forms. For all these reasons, this year again, we will jointly evaluate works presented within the competition and informative selections, as well as no less important programmes included in the Festival Plus. In order to continue the analysis of previous contributions, both those made by ourselves and inputs from the immediate and distant environments, special programmes will feature the film production of museum ethnologists from Western Serbia, as well as and the first three Grand Prix winners at the Festival of Ethnological Film (originally the Festival of Video and Ethnological Film)...

Marko Stojanović
Executive Director of the Festival



Three-Minute Anthropology

Over the past two decades, global digitization, networking and the expanding use of mobile phones have been accompanied with an excessively massive (and steadily increasing) production and distribution of various visual materials. A huge content production and high view rates have led to establishing festivals of micro movies, which have been organized since the early 2010s. Such festivals screen short films (micro movies) that are mostly shot using mobile phones, distributed through the internet and, as a rule, watched on the third screen. The specific feature that places the third screen into a separate category is mobility, which makes content intended for it – including micro movies – available wherever their authors and audiences may be. Another important characteristic of micro movies is the fact that most of them (except from the advertising ones) are createdin a process in which the production and consumption of visual materials are not separated, but are part of a single, indivisible relationship...


Ljiljana Gavrilović

Ethnographic Institute of SASA
Department of Ethnology and Anthropology, Faculty of Philosophy, University of Belgrade



Ethnological Film as a Cultural Resource – a suggestion for consideration

The technological outburst in the area of moving pictures in the 1980s, which first resulted in the VHS technology and was soon followed by digital images, i.e. cheap cameras affordable to the so-called wide masses of population, was the beginning of a great democratic revolution in film production. Suddenly, the camera became an everyday object that enabled almost everyone to become a cinematographer, director, screenwriter. Soon afterwards, affordable computers and simple software tools enabled almost everyone get involved in movie editing. Namely, the conditions have been created to record the important things that surround us and encourage everyone to try themselves in artistic expression...


Miroslav–Bata Petrović